Wall Drawing 524 ‘Tilted Form with color ink washes superimposed’ (1987) by Sol LeWitt gives the one tall gallery space something of a monumental character, while Wall Drawing 1180 ‘10.000 straight and 10.000 not straight lines within a four-meter circle’ (2005) strikingly occupies the other high gallery space and invites viewers to engage in long and careful observation.
The symmetrically arrayed architecture of the gallery proves an ideal vessel for these two installations.
Works by Andreas Christen, Joseph Egan, Giorgio Griffa, Robert Mangold, Sylvia Plimack Mangold, Richard Tuttle and Fred Sandback add fine and very different accents. An engaging interlude before the summer break.
Installation view room 4
Installation view room 1
Installation view room 2
Installation view room 2
Installation view room 2
Installation view room 3
Installation view room 3
Installation view room 3
Installation view room 3
Installation view office room
Installation view office room
Installation view office room
Installation view office room
Andreaas Christen
untitled
1999
120 x 240 x 23 cm
MDF board, white sprayed
Joseph Egan
heat
2013
33 x 23.5 x 3 cm
Oil on wood
Joseph Egan
in winter
2015
40 x 70 x 3 cm
Oil on wood
Giorgio Griffa
Untitled
1980
24 x 31 cm
Watercolor on paper
Giorgio Griffa
Untitled
1978
36 x 50 cm
Watercolor on paper
Sol LeWitt
Tilted Form with color ink washes superimposed
1987
Wall Drawing #524
water based acrylic
Drawn by Nicolai Angelov, 2013
Sol LeWitt
Horizontal Bands (More or Less)
2002
154 x 147 cm
Gouache on paper
Sol LeWitt
10’000 straight and 10’000 not straight lines within a four-meter circle
2005
Wall Drawing #1180
black marker
drawn by Nicolai Angelov, 2015
Robert Mangold
Plane/Figure
1992
105.4 x 148.6 cm
Graphite on paper
Robert Mangold
Plane/Figure
1992
105.4 x 148.6 cm
Graphite on paper
Sylvia Plimack Mangold
The Maple with Locust and Pine
2003
101.6 x 127 cm
Oil on linen
Fred Sandback
Untitled (Nr. 4)
1968 / 1983
61 x 334 x 61 cm
Mild steel rod (Volkswagen Oregonbeige L81D)
Intervals: 45 cm, 30 cm, 15 cm
Fred Sandback
Untitled (Nr. 4)
1968 / 1983
61 x 334 x 61 cm
Mild steel rod (Volkswagen Oregonbeige L81D)
Intervals: 45 cm, 30 cm, 15 cm
Fred Sandback
Untitled (Nr. 4)
1968 / 1983
61 x 334 x 61 cm
Mild steel rod (Volkswagen Oregonbeige L81D)
Intervals: 45 cm, 30 cm, 15 cm
Richard Tuttle
New Mexico, New York Nr. 13
1998
45.7 x 50.8 cm
Acryl on plywood
Dan Flavin (1933–1996) and Will Insley (1929–2011)
March 6 to April 26, 2024
James Bishop
James Bishop
Publisher: ER Publishing, Edited by Molly Warnock
Joseph Egan
Joseph Egan and Anton Himstedt: Common Ground
Publisher: Josef Albers Museum Quadrat Bottrop, Ulrike Growe
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Joseph Egan, Ptolemäus: Die Welt im Griff? Antike Kartographie und zeitgenössische Kunst, Kunsthaus Grenchen
3. März bis 26. Mai 2024
Dan Flavin, Widmungen aus Licht, Kunstmuseum Basel
2. März bis 18. August 2024
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Fred Sandback, Kurt Büsser ermöglicht... Erich Buchholz und Fred Sandback, Museum Wiesbaden
19. Januar bis 14. April 2024
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033