Two terms that are frequently used to describe contemporary art guided us in the selection of works for our exhibition. Yet they did not serve to limit this selection as the illustration of a given theme. On the contrary, they became an inspiration to look at works – created between 1900 and 2019 – from a broader perspective.
The numerous works on loan enable an often unexpected coincidence of the forms of expression and artists’ names. Special qualities and similarities are on vivid display. The exhibition primarily features small formats, mostly consisting of works on paper.
Other artists in the exhibition:
René Victor Auberjonois (1872–1957), Alighiero Boetti (1940–1994), Lucio Fontana (1899–1968), Eva Hesse (1936–1970), Ferdinand Hodler (1853–1918), Will Insley (1929–2011), Otto Meyer–Amden (1885–1933), Henri Michaux (1899–1984), Giorgio Morandi (1890–1964), Jan Schoonhoven (1914–1994), Louis Soutter (1871–1942), Georges Vantongerloo (1886–1965), Jacques Villon (1875–1963)
See the installation views here in the lightbox.
Manfred Werder: “ein(e) ausführende(r) seiten 1 – 4000 (1999 – 2015)”
Update: Manfred Werder
The composer Manfred Werder updates some pages from his score
“ein(e) ausführende(r) seiten 1 – 4000 (1999 – 2015)”.
The score consists of 4000 pages with a total duration of 533 hours 20 minutes and is played on the whole just once, page after page and intermittently.
Each time unit in the score updates in this way a specific place and a certain time and is basically unrepeatable.
Installation view room 4
Installation view Büroraum
Sol LeWitt (1928–2007)
Robert Mangold (*1937)
Installation view office
Richard Francisco (*1942)
Joseph Egan (*1952)
Installation view office
Richard Tuttle (*1941)
Installation view office
Sylvia Plimack Mangold (*1938)
Installation view office
Sylvia Plimack Mangold (*1938)
Installation view room 1
Fred Sandback (1943–2003)
Sylvia Plimack Mangold (*1938)
Installation view room 1
Fred Sandback (1943-2003)
Sylvia Plimack Mangold (*1938)
Installation view room 1
Jacques Villon (1875–1963)
Installation view room 1
Jan Schoonhoven (1914–1994)
Jacques Villon (1875–1963)
Installation view room 2
Installation view room 2
Giorgio Morandi (1890–1964)
Sol LeWitt (1928–2007)
Installation view room 2
René Victor Auberjonois (1872–1957)
Ferdinand Hodler (1853–1918)
Installation view room 2
Installation view room 3
Installation view room 3
Installation view room 3
Otto Meyer–Amden (1885–1933)
Agnes Martin (1912–2004)
Eva Hesse (1936–1970)
Installation view Raum 3
Georges Vantongerloo (1886–1965)
Henri Michaux (1899–1984)
Louis Soutter (1871–1942)
Installation view room 4
Alighiero Boetti (1940–1994)
Will Insley (1929–2011)
Installation view room 4
David Rabinowitch (*1943)
James Bishop (*1927)
Installation view room 4
David Rabinowitch (*1943)
James Bishop (*1927)
Antonio Calderara (1903–1978)
Installation view room 4
James Bishop (*1927)
Antonio Calderara (1903–1978)
Alighiero Boetti (1940–1994)
Richard Tuttle
50 Years of Collaboration
September 25, 2024 to February 21, 2025
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Ree Morton with Natalie Häusler,
To Each Concrete Man,
Kunstmuseum Bochum, Germany
October 11, 2024, to February 23, 2025
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033