It is the artist who decides how much importance he wishes to assign to an exhibition, and especially to his current exhibition.
For Joseph Egan, every exhibition is a significant occurrence. And therefore the preparation and the installation, or more precisely the composition of the exhibition is its own creative process. The exhibition proves to be an opportunity to make more and other things visible than what becomes readily apparent when contemplating the individual work. Call it context or continuity – in any case the exhibition conveys an experience to the viewer that is henceforth enduringly associated with each work.
Of course, the completeness of the individual work should neither be devalued nor called into question, for Joseph Egan does not work in series that bind the individual work into a whole and contribute to an understanding of the individual work. He is equally uninterested in the development of a style that suggests a unity. Rather the exhibition creates dialogs and connections of an aesthetic and spatial nature and it is an important characteristic of our stream of perception that all objects, including those from everyday life, are integrated in a greater sphere, serving to outfit and enrich our imagination.
Joseph Egan likes giving names to individual works and groups of works. For many years, these important manifestations have been further accompanied by exhibition titles. The evocative word creations or word constellations can be understood in a sense as an approximation, as an insinuation of meaning that gets variously embodied in the sensually tangible object. It is without question that verbal images evoke an atmosphere occupying a coherently formed place in the memory of what has been seen:
A Place to Paint Further – Wander Way – Some Sing – Paint to Colour – Rain on the roof – Voices – across the board – Colorcomb and now Local Color.
The fine linguistic combinations can be compared to a melodious book title, the title of a volume of stories, or better still of poems. In any case, it is often the case that the things the poet undertakes and brings about with language are accomplished by the painter with his own means. For Joseph Egan, color is the source of inspiration and associations, and it contains a strong connection to visible reality. Using color as a raw material achieves a linking of ideas and projects, becoming exemplified in the pictorial objects. In the works on paper and the canvasses, the application of color transforms the picture support into a deep and dense surface.
Color can be understood on one hand as an idea, as a precise definition of hues and color values. This would be a conceptual separation and isolation, as it were, far from the everyday presence of color in the world around us. Yet the latter, this everyday presence, the everyday use of color is precisely what concerns Joseph Egan.
Herein lies the key to ‘Local Color’, the exhibition of Joseph Egan that is presented with this gallery note. Moods, places, images are a stimulus and motivation for his creative energy.
‘What makes an object beautiful is the fact that these relations are themselves related in turn, giving them a greater density.’ This formulation by Claude Lévi-Strauss provides a fitting conclusion to our remarks.
Installation view room 4
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Installation view room 2
Installation view room 2
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Installation view room 3
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out of the blue
2016
35 x 28 x 2.5 cm
oil paint on canvasboard with framing
Bouquet (Nr.1)
2014
48.5 x 39 x 3 cm
paper: 30 x 21 cm
oil paints on paper with framing
inner space Nr. 1
2017
35 x 29 x 2.5 cm
oil paint on paper with framing
inner space Nr. 3
2017
35 x 29 x 2.5 cm
oil paint on paper with framing
inner space Nr. 2
2017
35 x 29 x 2.5 cm
oil paint on paper with framing
Egyptian Quartet (in 4 parts)
2002
30 x 100 x 3 cm
various paints, sand and stones on wood
in wine (Nr. 4)
2013
30 x 21 cm
oil paint on paper
in wine (Nr. 6)
2013
30 x 21 cm
oil paint on paper
in wine (Nr. 5)
2013
30 x 21 cm
oil paint on paper
in wine (Nr. 8)
2013
30 x 21 cm
oil paint on paper
in wine (Nr. 7)
2013
30 x 21 cm
oil paint on paper
in wine (Nr. 10)
2013
30 x 21 cm
oil paint on paper
in wine (Nr. 11)
2013
30 x 21 cm
oil paint on paper
Local Color (on Hydra) Nr. 1
2014
48.5 x 38 x 3 cm
various paints on paper with framing
Local Color (on Hydra) Nr. 2
2014
48.5 x 38 x 3 cm
various paints on paper with framing
inner space (Nr.2)
2013
48.5 x 39 x 3 cm
paper: 30 x 21 cm
oil paints on paper with framing
all on board
2015
22 x 39.5 x 2.5 cm
oil paints on wood
Voices Nr. 10
2008
each: 37 x 6 x 1.5 cm
various paints and sand on wood (23 parts)
Voices Nr. 10
2008
each: 37 x 6 x 1.5 cm
various paints and sand on wood (23 parts)
Trio
2017
60 x 33 x 6.5 cm
painted wood and painted panel
heart to heart
2017
49 x 37.5 x 5 cm
painted wood and painted panel
Skylight
2017
60 x 30 x 5 cm
painted wood and painted panel
true blue
2012
50 x 28 x 6 cm
various paints on wood
echo
2017
30 x 20 x 3 cm
various paints, sand and stones on wood
paean
2017
39.5 x 23.5 x 2.5 cm
various paints on wood
painted place
2017
24 x 18 x 4 cm
various paints, sand and wood on canvasboard
Turn
2017
30 x 24 x 2 cm
various paints, sand and wood on canvas
open
2009
62.5 x 42.5 x 3 cm
various paints on canvas with framing
between
2009
62.5 x 42.5 x 3 cm
various paints on canvas with framing
overhead
2009
62.5 x 42.5 x 3 cm
various paints on canvas with framing
silencio
2012
37 x 22 x 5 cm
painted wood and painted panel
Rise and Shine
2017
90 x 80 x 2.5 cm
various paints on canvas
Dovecote
2014
38.5 x 31.5 x 3 cm
various paints on canvas with framing
Public and Private
2014
38.5 x 31.5 x 3 cm
various paints on canvas with framing
Old Ways
2014
38.5 x 31.5 x 3 cm
various paints on canvas with framing
Outlook
2017
90 x 80 x 2.5 cm
various paints on canvas
Guarda
2017
24 x 18 x 3 cm
various paints, sand and wood on canvas
Local Color
2017
24 x 18 x 3 cm
various paints, sand and wood on canvas
child
2017
30 x 24 x 4 cm
various paints, sand and wood on canvas
dust to dust
2017
30 x 24 x 3 cm
various paints, sand and cork on canvas
resonance
2017
24 x 18 x 3 cm
various paints, sand and wood on canvas
the bathers
2017
30 x 24 x 3 cm
various paints, sand and wood on canvas
Curtain
2017
24 x 18 x 2 cm
various paints, sand and wood on canvas
Local Color (Guarda)
2017
24 x 18 x 2.5 cm
various paints, sand and wood on canvas
Flag
2017
66 x 55 x 7 cm
painted wood and painted panel
Piraeus
2002
75 x 26 x 9 cm
various paints and sand on wood with two free elements
Local Color (on Hydra) Nr. 3
2014
45 x 35.5 x 2.5 cm
oil paint on paper with framing
Local Color (on Hydra) Nr. 4
2014
45 x 35.5 x 2.5 cm
oil paint on paper with framing
Local Color (on Hydra) Nr. 5
2014
45 x 35.5 x 2.5 cm
oil paint on paper with framing
Local Color (on Hydra) Nr. 6
2014
45 x 35.5 x 2.5 cm
oil paint on paper with framing
the traveling kind
2015
40 x 15 x 5 cm
painted wood and painted panel
flowerpoint
2012
40 x 37 x 5 cm
painted wood and painted panel
Bonnard’s Advice
2013
each: 100 x 4 x 3 cm
oil paint on wood (32 parts)
Bonnard’s Advice
2013
each: 100 x 4 x 3 cm
oil paint on wood (32 parts)
on Patmos (looking for Lax)
2017
30 x 20 x 4 cm
various paints and sand on wood
Light Collector
2017
40 x 23 x 8 cm
various paints on wood
steps
2013
56 x 1.5 x 3 cm
oil paint on wood
dovecote
2016
30 x 25 x 6 cm
various paints and sand on wood with free elements
Dovecote (habitat)
2009
32 x 27 x 5 cm
various paints on wood with free elements
out of the blue (Nr. 2)
2015
33 x 70 x 2.5 cm
oil paint on wood
earth and sky (Nr. 1)
2013
23 x 47 x 3 cm
oil paints on wood
Richard Tuttle
50 Years of Collaboration
September 25 to November 30, 2024
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Ree Morton with Natalie Häusler,
To Each Concrete Man,
Kunstmuseum Bochum, Germany
October 11, 2024, to February 23, 2025
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033