Line, form, color and spatiality – the works in this exhibition variously exemplify (Nelson Goodman) the building blocks of our reality.
All pieces are sensual, material objects, yet not all works can be easily accorded to the traditional categories of painting, sculpture, drawing. The very characteristics that make such a classification difficult lead to a fruitful and productive difference.
The relationship to our perception is a central concern of this art, which presents a conscious, aesthetic perspective on the world we inhabit.
July/August open by appointment.

Installation view

Installation view office room

Installation view room 1

Installation view room 2

Installation view room 2

Installation view room 2

Installation view room 3

Installation view room 4

Installation view room 4

Installation view room 4

Sol LeWitt
Tilted Form with color ink washes superimposed
1987
Wall Drawing #524
Water based acrylic
Drawn by Nicolai Angelov
Photo: Thomas Cugini, Zürich

Sol LeWitt
Horizontal Bands (More or Less)
2002
154 x 147 cm
Gouache on paper

Robert Mangold
Plane/Figure
1992
105.4 x 148.6 cm
Graphite on paper

Robert Mangold
Three Color Frame Painting
1985
92 x 81.3 cm
Acrylic and pencil on paper

Joseph Egan
on Hydra (Nr. 8)
2013
57 x 49 x 1 cm
Various paints on canvas
Joseph Egan
on Hydra (Nr. 10)
2013
57 x 50 x 1 cm
Various paints on canvas

Joseph Egan
on Hydra (Nr. 8)
2013
57 x 49 x 1 cm
Various paints on canvas

Joseph Egan
on Hydra (Nr. 10)
2013
57 x 50 x 1 cm
Various paints on canvas

Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)

Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)

Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)

Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)

Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)

Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)

Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)

Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)

Fred Sandback
Untitled
1974
162.6 x 304.8 x 15.2 cm
Red acrylic yarn, untwisted

Fred Sandback
Untitled
1974
162.6 x 304.8 x 15.2 cm
Red acrylic yarn, untwisted

Fred Sandback
Untitled
1974
162.6 x 304.8 x 15.2 cm
Red acrylic yarn, untwisted

James Bishop
Brown / Red
1969
189.5 x 188.5 cm
Oil on canvas

Sylvia Plimack Mangold
The Pin Oak
2010 / 2013
37 x 60 cm
Graphite and watercolor on paper

Sylvia Plimack Mangold
The Pin Oak 6/15/02
2002
56 x 76.2 cm
Watercolor and pencil on paper
CONTRASTES
October 9 to December 19, 2025
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Giulio Paolini
A.R.S. Scaenica, permanent installation, Teatro Franco Parenti, Milan
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033