The richness of form and diversity of the works brought together in this gallery presentation determine the image imparted by the show.
It is a limited number of carefully chosen works. Some are comprised of several elements joined to form a unity, while others consist of thematically coherent cycles of works. In each case, the unity derives from the diversity. The same can be said of the clearly structured exhibition.
The exhibition is a metaphor, as it were, for the way the gallery’s profile has taken form over the decades. This is often perceived as an inviolable unity – which is certainly true insofar as many criteria, views and ideas have been shaped by the year 1969, a date marking the start of the gallery’s activity with historical precision.
But the 1960s are by no means an arbitrary place and setting within the history of art. The fact that the subsequent path is not characterised by uniformity is due to the relevance of the works and the artistic personalities who often found their way to the gallery in the early years, but also over the ensuing course of time.
In any case, we believe that a closer look can evince and affirm the primacy of diversity.
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Installation view room 4
Installation view office room
Installation view room 1
Installation view room 1
Installation view room 1
Installation view room 1
Installation view room 2
Installation view room 2
Installation view room 2
Installation view room 3
Installation view room 3
Installation view room 3
Installation view room 4
Installation view room 4
Installation view room 4
Andreas Christen
Untitled
2002
140 x 140 cm
MDF, enameled white
Joseph Egan
December Dovecote
2020
30 x 26 x 9 cm
various paints and wood on canvas
Joseph Egan
October Dovecote
2020
31 x 27.5 x 7 cm
various paints and wood on canvas
Joseph Egan
November Dovecote
2020
33 x 27.5 x 9 cm
various paints and wood on canvas
Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25
Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25
Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25
Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25
Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25
Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25
Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25
Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25
Sol LeWitt
Diptych with Irregular Forms on Two Different Colors
1997
114.3 x 76.2 cm
gouache on paper
Sol LeWitt
Diptych with Irregular Forms on Two Different Colors
1997
114.3 x 76.2 cm
gouache on paper
Robert Mangold
Three Color Frame Painting
1985
92 x 81.3 cm
acrylic and pencil on paper
Robert Mangold
Manila Area
1966
122 x 122 cm
oil, spray paint and pencil on masonite
Robert Mangold
Manila Area
1966
122 x 122 cm
oil, spray paint and pencil on masonite
Sylvia Plimack Mangold
Untitled
1977
51 x 51 cm
pencil and acrylic on canvas
Fred Sandback
Untitled (Nr. 4)
1968 / 1983
61 x 334 x 61 cm
mild steel rod
(Volkswagen Oregonbeige L81D)
intervals: 45 cm, 30 cm, 15 cm
Fred Sandback
Untitled (Nr. 4)
1968 / 1983
61 x 334 x 61 cm
mild steel rod
(Volkswagen Oregonbeige L81D)
intervals: 45 cm, 30 cm, 15 cm
Fred Sandback
Untitled
1998
7.8 x 20.8 x 1.5 cm
acrylic on wood
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper
Richard Tuttle
Waferboard 5
1996
40.6 x 121.9 cm
acrylic on waferboard
Brice Marden
Focus I-V
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75
Brice Marden
Focus I
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75
Brice Marden
Focus II
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75
Brice Marden
Focus III
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75
Brice Marden
Focus IV
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75
Brice Marden
Focus V
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75
Richard Tuttle
50 Years of Collaboration
September 25 to November 30, 2024
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Ree Morton with Natalie Häusler,
To Each Concrete Man,
Kunstmuseum Bochum, Germany
October 11, 2024, to February 23, 2025
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033