The richness of form and diversity of the works brought together in this gallery presentation determine the image imparted by the show.
It is a limited number of carefully chosen works. Some are comprised of several elements joined to form a unity, while others consist of thematically coherent cycles of works. In each case, the unity derives from the diversity. The same can be said of the clearly structured exhibition.
The exhibition is a metaphor, as it were, for the way the gallery’s profile has taken form over the decades. This is often perceived as an inviolable unity – which is certainly true insofar as many criteria, views and ideas have been shaped by the year 1969, a date marking the start of the gallery’s activity with historical precision.
But the 1960s are by no means an arbitrary place and setting within the history of art. The fact that the subsequent path is not characterised by uniformity is due to the relevance of the works and the artistic personalities who often found their way to the gallery in the early years, but also over the ensuing course of time.
In any case, we believe that a closer look can evince and affirm the primacy of diversity.
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Installation view room 4

Installation view office room

Installation view room 1

Installation view room 1

Installation view room 1

Installation view room 1

Installation view room 2

Installation view room 2

Installation view room 2

Installation view room 3

Installation view room 3

Installation view room 3

Installation view room 4

Installation view room 4

Installation view room 4

Andreas Christen
Untitled
2002
140 x 140 cm
MDF, enameled white

Joseph Egan
December Dovecote
2020
30 x 26 x 9 cm
various paints and wood on canvas

Joseph Egan
October Dovecote
2020
31 x 27.5 x 7 cm
various paints and wood on canvas

Joseph Egan
November Dovecote
2020
33 x 27.5 x 9 cm
various paints and wood on canvas

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Diptych with Irregular Forms on Two Different Colors
1997
114.3 x 76.2 cm
gouache on paper

Sol LeWitt
Diptych with Irregular Forms on Two Different Colors
1997
114.3 x 76.2 cm
gouache on paper

Robert Mangold
Three Color Frame Painting
1985
92 x 81.3 cm
acrylic and pencil on paper

Robert Mangold
Manila Area
1966
122 x 122 cm
oil, spray paint and pencil on masonite

Robert Mangold
Manila Area
1966
122 x 122 cm
oil, spray paint and pencil on masonite

Sylvia Plimack Mangold
Untitled
1977
51 x 51 cm
pencil and acrylic on canvas

Fred Sandback
Untitled (Nr. 4)
1968 / 1983
61 x 334 x 61 cm
mild steel rod
(Volkswagen Oregonbeige L81D)
intervals: 45 cm, 30 cm, 15 cm

Fred Sandback
Untitled (Nr. 4)
1968 / 1983
61 x 334 x 61 cm
mild steel rod
(Volkswagen Oregonbeige L81D)
intervals: 45 cm, 30 cm, 15 cm

Fred Sandback
Untitled
1998
7.8 x 20.8 x 1.5 cm
acrylic on wood

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Waferboard 5
1996
40.6 x 121.9 cm
acrylic on waferboard

Brice Marden
Focus I-V
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus I
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus II
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus III
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus IV
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus V
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75
CONTRASTES II
January 14 to March 27, 2026
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Antonio Calderara Riti di passaggio. Dalla figurazione all'arte concreta, Fondazione Marcello Morandini, Varese, through April 26, 2026
Jerry Zeniuk | Il colore, Museo Mirad'Or and Chiesa di Santa Maria della Neve , Pisogne, through February 15, 2026
Marisa Merz & Mario Merz | Eccoci qui ancora una volta, Istituto Italiano di Cultura di Praga, Prague, through February 21, 2026
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Sculpture, Chinati Foundation, Marfa, October 12, 2025 to July 2026
Giulio Paolini
A.R.S. Scaenica, permanent installation, Teatro Franco Parenti, Milan
Roma nel mondo (group show), MAXXI, Rome, December 17, 2025 to April 6, 2026
Richard Tuttle | Giulio Paolini | Marisa Merz | Mario Merz
Long Story Short, Museum Brandhorst, München, bis Januar 2027
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033