From September 15 to December 2, 2022, the gallery’s showrooms are hosting three solo exhibitions, which share a common feature. With all three groups of works, the viewer should enter the series of images and give time and attention to the pictorial narratives.
The portfolio “Edges” (1999) by Richard Tuttle, for example, consists of 13 prints, hung according to his instructions. “Gold” from 2001 is a five-part suite of etchings that only reveals its particular appeal and mystery when read in the specified sequence.
“Poem” (2010) can be described as a momentous and substantial ten-part work. It comprises ten drawings in frames individually finished by the artist.
The small-format etchings by Dan Flavin were created in 1978 and reveal a little-known and unexpected side of the artist. They demonstrate the artist’s virtuosity as well as his interest in and knowledge of art history, especially drawing. The sheets in the series “...in March, in Oakland” are dedicated to Francesco Guardi and “Second Sails” to James Abbott McNeill Whistler.
The second naturally lit room is the right place to view the works by Jerry Zeniuk, consisting of painting that is literally about painting. Entering into the differentiated and diverse pictorial happenings is a prerequisite for discovering the painterly sensations that these works have to offer.
A watercolor from 1977 by Giorgio Griffa and “Buongiorno!”, a new work by Joseph Egan, make a beautiful addition to the three individual presentations.
News:
Giulio Paolini received the 33rd Praemium Imperiale for Painting of the Japan Art Association in 2022 .
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Sylvia Plimack Mangold : 52 Artists: A Feminist Milestone, The Aldrich Contemporary Art Museum , Ridgefield, CT, throught January 8, 2023
Ree Morton / Sylvia Plimack Mangold : Who Said It Was Simple: Women Painting in New York, 1971–1982, Karma New York , September 20 to November 5, 2022
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033
CONTRASTES
October 9 to December 19, 2025
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Antonio Calderara Riti di passaggio. Dalla figurazione all'arte concreta, Fondazione Marcello Morandini, Varese, through April 26, 2026
Dan Flavin | Donald Judd | Sol LeWitt | Agnes Martin
Minimal, Bourse de Commerce – Pinault Collection, Paris
October 8, 2025 to January 18, 2026
Robert Wilson | Mother, MAXXI, Rome, through January 18, 2026
Jerry Zeniuk | Il colore, Museo Mirad'Or and Chiesa di Santa Maria della Neve , Pisogne, through February 15, 2026
Marisa Merz & Mario Merz | Eccoci qui ancora una volta, Istituto Italiano di Cultura di Praga, Prague, through February 21, 2026
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Sculpture, Chinati Foundation, Marfa, October 12, 2025 to July 2026
Giulio Paolini
A.R.S. Scaenica, permanent installation, Teatro Franco Parenti, Milan
Roma nel mondo (group show), MAXXI, Rome, December 17, 2025 to April 6, 2026
Richard Tuttle | Giulio Paolini | Marisa Merz | Mario Merz
Long Story Short, Museum Brandhorst, München, bis Januar 2027
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033