SHADOW LIGHT
from James Bishop to Sol LeWitt – from Giorgio Morandi to Bram van Velde
“What is more mysterious than clarity?”, writes Paul Valéry. “What more capricious than the way in which light and shade are distributed over the hours and over men?” ('Eupalinos, or the Architect')
The majority of the presented works are drawings and works on paper. A number of objects and large-format paintings are likewise part of the carefully assembled show, which also incorporates loans from private holdings. Shadow Light touches on places and moments of amalgamation and dispersal, of demarcation and nuance. Surface and depth open up in a richly differentiated dialogue. A broadly defined set of visual themes links the exhibited works whose origins span a good hundred years.
In the 1980s, James Bishop painted “Maintenant”, a canvas with a format of 193x193 cm. In 2012, the artist recalled the wonderful dark gray masterpiece with small dark paintings on paper. This gesture provided the impetus for our project as well as its guiding principle.
Bishop’s work group can thus be seen in its entirety. The other works by some fifteen artists from the nineteenth and twentieth centuries find surprising areas of common ground. Shadings from deep black to mild gray point the way toward broken areas of white and the beginnings of coloration. With unaffected and natural ease, an echo chamber unfolds that touches on artistic motifs and approaches whose relevance in the history of the fine arts continues to act as a unifying, groundbreaking force.
This exhibition appeals to those of our friends who enjoy taking time for an intensive and demanding art experience.
David Rabinowitch – Program of Construction for Solothurn, Haus der Kunst St. Josef und Kunstverein Solothurn, through November 18, 2012
Richard Tuttle – Systems, VIII-XII, Pace Gallery New York, through October 13, 2012
Richard Tuttle & Mei-mei Berssenbrugge, Kunstverein München, “Hello, The Roses”, October 6 to November 25, 2012
November 16, 2008 – 2033
Sol LeWitt –
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
CONTRASTES II
January 14 to March 27, 2026
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Antonio Calderara Riti di passaggio. Dalla figurazione all'arte concreta, Fondazione Marcello Morandini, Varese, through April 26, 2026
Jerry Zeniuk | Il colore, Museo Mirad'Or and Chiesa di Santa Maria della Neve , Pisogne, through February 15, 2026
Marisa Merz & Mario Merz | Eccoci qui ancora una volta, Istituto Italiano di Cultura di Praga, Prague, through February 21, 2026
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Sculpture, Chinati Foundation, Marfa, October 12, 2025 to July 2026
Giulio Paolini
A.R.S. Scaenica, permanent installation, Teatro Franco Parenti, Milan
Roma nel mondo (group show), MAXXI, Rome, December 17, 2025 to April 6, 2026
Richard Tuttle | Giulio Paolini | Marisa Merz | Mario Merz
Long Story Short, Museum Brandhorst, München, bis Januar 2027
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033