essential – The line The use of line.
For a good five months, Sol LeWitt’s ‘Wall Drawing 1180, 2005 10’000 black straight lines and 10’000 black not straight lines within a four-meter circle’ (drawn by Nicolai Angelov in early May) has dominated one of our high-ceilinged exhibition rooms, and this will remain the case for some time. The spatial and visual presence and intensity of the work is almost physical, in any case sensuously tangible. At the same time, the author and draftsman fully recede into the background. The factual impact of the wall drawing ensues entirely from its specific qualities. The textual instructions of Sol LeWitt give legitimacy to the line’s potential. The clarity of the artistic concept produced an overwhelming complexity and lack of overview.
The smart interpreter handled his two instruments, the straight and the non-straight line, in such a way that a finely woven network of lines could be created, with the gaps between the lines reduced to a minimum. Thinking, seeing and acting are a palpable presence at each position within the circle. Nevertheless these important attributes cannot be attributed to a person. Remarkably, an objectification, as it were, has come to pass.
The exemplary independence of the line as a formal artistic element, in this work apparently doing without a personal or particular ‘stroke’ (this important variant of the line being addressed here), has now become the impetus for an exhibition that uses the line as a means of artistic expression or as an artistic motif, visualizing it in a wholly non-didactic, playful and at times surprising way.
A number of artist names deserve mention here: Robert Mangold, Giorgio Griffa, Agnes Martin, David Rabinowitch, Joseph Egan, Richard Tuttle, Donald Judd, Will Insley, Fred Sandback, James Bishop, Antonio Calderara.
A few additional historical accents complete the show.
Rita McBride
Kestnergesellschaft Hannover , October 17, 2015 to January 10, 2016
Alexander and Bonin Gallery New York , September 10 to October 24, 2015
November 16, 2008 – 2033
Sol LeWitt –
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
CONTRASTES
October 9 to December 19, 2025
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Antonio Calderara Riti di passaggio. Dalla figurazione all'arte concreta, Fondazione Marcello Morandini, Varese, through April 26, 2026
Dan Flavin | Donald Judd | Sol LeWitt | Agnes Martin
Minimal, Bourse de Commerce – Pinault Collection, Paris
October 8, 2025 to January 18, 2026
Robert Wilson | Mother, MAXXI, Rome, through January 18, 2026
Jerry Zeniuk | Il colore, Museo Mirad'Or and Chiesa di Santa Maria della Neve , Pisogne, through February 15, 2026
Marisa Merz & Mario Merz | Eccoci qui ancora una volta, Istituto Italiano di Cultura di Praga, Prague, through February 21, 2026
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Sculpture, Chinati Foundation, Marfa, October 12, 2025 to July 2026
Giulio Paolini
A.R.S. Scaenica, permanent installation, Teatro Franco Parenti, Milan
Roma nel mondo (group show), MAXXI, Rome, December 17, 2025 to April 6, 2026
Richard Tuttle | Giulio Paolini | Marisa Merz | Mario Merz
Long Story Short, Museum Brandhorst, München, bis Januar 2027
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033