Richard Tuttle (1941* USA) "Paper" –
Richard Tuttle chose this name for our exhibition. Paper as an exhibition title suggests that drawings are the focal point in this presentation of works and work groups. It remains open what else might be undertaken with paper. Richard Tuttle can be counted on to offer unexpected and surprising formulations.
Indeed, drawing acts as the center of artistic endeavors in Richard Tuttle's oeuvre. "Art is discipline and discipline is drawing. Drawing will change before art will." (1968 R.T.) Drawings function as path and movement, leading from at times modest points of departure to the valid works.
Drawing notebooks and drawing blocks are places of work for Tuttle. Even more than the studio, they are always at hand, at one's service at all times and everywhere. They offer resonance chambers of the imagination. Configurations and signs mark dimensions of depth, like vertical and horizontal expansion. The designated notebook sheets thereby form escape routes and sequences. Strokes and marks develop hints of regularities, which are consequently varied or discarded. Once removed from the spiral notebook, the perforation remains along with the "family resemblance" as clear evidence of the works' origin. In some cases, the sequence is important. It represents the making of the work, illustrates the factors of time and reflection. A special form of presentation as a series of drawings or as a block of works is assigned to such works in the exhibition. Many parts can often come together to form a single large work. The careful framing created especially for this purpose always plays an important role. All details are coordinated and intended. Precise instructions concern the hanging and the determination of the distance from the floor to the 'Center Point' of the sheet of paper.
These observations show that Richard Tuttle’s drawings make sound references to the characteristics and the history of a genuinely artistic form of expression. Even the particular mode of observation and perception that arises in the process of differentiating aspects of the medium is utilized.
The artist's long shared path with the gallery has often been associated with Richard Tuttle's oeuvre of drawings. In 1974, our gallery in Zurich held its first solo exhibition of Tuttle's works with the 'Heavy Wire Pieces', works that can be described as lines in solid material. In 1976, the artist provided us with 289 sheets, consisting of all the drawings he could find in his studio. They formed the basis for a legendary exhibition in 1977 at Kunsthalle Basel. In 1979, we were able to present an extensive publication with the help of friends in which all the drawings are reproduced: "List of Drawing Material of Richard Tuttle & Appendices". The form and content of the book made history.
The retrospective of drawings shown in the gallery in 2010 constituted an impressive look back at an outstanding aspect of the work of Richard Tuttle. The present show is now oriented to the current, exceedingly vital stand of things.
See also the editions:
Richard Tuttle – The Use of Time
Richard Tuttle – 8 Poems
Installation view room 4
Installation view room 1
Installation view room 1
Installation view room 1
Installation view room 1
Installation view room 1 and 2
Installation view room 2
Installation view room 2
Installation view room 3
Installation view room 3
Installation view room 4 and 3
Installation view room 4
Installation view room 4
Installation view room 4
18 Drawings for Village IV
Untitled, No. 1
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled, No. 2
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled, No. 3
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil and colored pencil on paper
18 Drawings for Village IV
Untitled, No. 4
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil and colored pencil on paper
18 Drawings for Village IV
Untitled, No. 5
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled, No. 6
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil and colored pencil on paper
18 Drawings for Village IV
Untitled, No. 7
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled, No. 8
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled, No. 9
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil and colored pencil on paper
18 Drawings for Village IV
Untitled, No. 10
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil, colored pencil and collage on paper
18 Drawings for Village IV
Untitled, No. 11
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled, No. 12
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil and watercolor on paper
18 Drawings for Village IV
Untitled, No. 13
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil and watercolor on paper
18 Drawings for Village IV
Untitled, No. 14
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled, No. 15
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled, No. 16
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled, No. 17
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
18 Drawings for Village IV
Untitled
2004
paper: 24 x 17 cm /
pp: 39.7 x 32.7 cm
pencil on paper
Untitled
2012
4 parts each 17.7 x 12.6 cm
pencil, colored pencil, watercolor, gouache on paper
Growth
2012
project for sculpture
height variable (floor to ceiling)
Growth
2012
project for sculpture
height variable (floor to ceiling)
Growth
2012
project for sculpture
height variable (floor to ceiling)
Growth
2012
project for sculpture
height variable (floor to ceiling)
Growth
2012
project for sculpture
height variable (floor to ceiling)
Growth
2012
project for sculpture
height variable (floor to ceiling)
Growth
2012
project for sculpture
height variable (floor to ceiling)
Growth
2012
project for sculpture
height variable (floor to ceiling)
14 Drawings for Village VI
Untitled, No. 1
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
colored pencil and collage on paper
14 Drawings for Village VI
Untitled, No. 2
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
gouache, india ink, spray in bronze and collage on paper
14 Drawings for Village VI
Untitled, No. 3
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
pencil, colored pencil and gouache with yellow ruled paper on paper
14 Drawings for Village VI
Untitled, No. 4
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
pencil, colored pencil, gouache and collage on paper
14 Drawings for Village VI
Untitled, No. 5
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
colored pencil, felt tip pen and collage on paper
14 Drawings for Village VI
Untitled, No. 6
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
colored pencil, india ink and collage on paper
14 Drawings for Village VI
Untitled, No. 7
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
acrylic and collage on paper
14 Drawings for Village VI
Untitled, No. 8
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
acrylic and collage with different materials on paper
14 Drawings for Village VI
Untitled, No. 9
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
pencil, colored pencil, watercolor and collage on paper
14 Drawings for Village VI
Untitled, No. 10
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
pencil, colored pencil, watercolor and collage on paper
14 Drawings for Village VI
Untitled, No. 11
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
pencil, gouache, lacquer and collage on paper
14 Drawings for Village VI
Untitled, No. 12
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
colored pencil and collage on paper
14 Drawings for Village VI
Untitled, No. 13
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
pencil, colored pencil an collage on paper
14 Drawings for Village VI
Untitled
2004
paper: 21 x 14.8 cm /
pp: 36.7 x 30.5 cm
pencil, colored pencil and collage with yellow ruled paper
Heart (1–6)
2011-2012
6 parts each 17.7 x 12.6 cm
pencil, colored pencil, watercolor on paper
Listening into Fire
2008
9 parts each 30.5 x 38.1 cm
overall 92 x 115 cm
pencil, colored pencil, acrylic and collage on paper with framing line in blue
Richard Tuttle
50 Years of Collaboration
September 25, 2024 to February 21, 2025
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Ree Morton with Natalie Häusler,
To Each Concrete Man,
Kunstmuseum Bochum, Germany
October 11, 2024, to February 23, 2025
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033