GLEN RUBSAMEN 'Pigeon Key and The Seven Mile Bridge'
In 1999, the Mai 36 and Annemarie Verna galleries jointly undertook a project to present eight artists at the two locations that convey an idea of the diversity and internationality of the current art scene with their work.
It was through this that Glen Rubsamen, born in 1957 in the USA, entered our field of vision. The continued joint interest in this work led to an intensive collaboration with the artist. Numerous group exhibitions have since featured the complex and memorable paintings of this differentiated and intelligent painter. In the year 2003, a solo presentation at Galerie Mai 36 met with great interest.
A number of good and first and foremost artistic reasons have compelled us to mount a major thematic show on Neptunstrasse and Rämistrasse in the coming weeks. With enthusiasm and intensity, Glen Rubsamen has developed this cycle of works that moreover relate to the unusual character of the gallery spaces on Neptunstrasse.
'Pigeon Key and The Seven Mile Bridge' is the title of this exhibition. It refers to a small island and a long viaduct in Florida.
Behind the lovely appearance of the paintings lie finely interwoven levels of meaning and interpretation rich with allusions, a hidden commentary as it were.
Corresponding to the two gallery locations and premises, the exhibition is subdivided into two chapters that are quite different from one another and that constitute the two halves of a greater whole.
Consider please the text of Glen Rubsamen about 'Pigeon Key and The Seven Mile Bridge'.
We are pleased to present a new publication on the work of Glen Rubsamen in the two galleries:
Glen Rubsamen: Those Useless Trees,
2005, english, 136 pages, 103 illustrations in color,
24 x 24 cm, bound with dust jacket
James Bishop / Richard Tuttle
September 9 to November 6, 2026
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT – ARTWORKS IN THE SPOTLIGHT #2, Paintings on Paper by James Bishop presents four works on paper by James Bishop. Created between 1956 and around 1993 they provide valid perspectives on an artistic oeuvre defined by an insistence on painting.
Giulio Paolini A.R.S. Scaenica, Teatro Franco Parenti, Milan , permanent installation
Giorgio Griffa Paths in the Forest, The Clark Art Institute, Williamstown (MA), through October 12, 2026
Agnes Martin Painting is not making paintings, Dia:Beacon, Dia Art Foundation, Beacon, long-term view
Rita McBride LO·CO·MO·TIV, two person show with Sophie Tottie, Lokstallet Konsthallen, Strömstad, through September 27, 2026
Abstract Constructions, Nassos Daphnis - Rita McBride, Fondation CAB, Saint-Paul-de-Vence, FR, through October 25, 2026
Richard Tuttle | Giulio Paolini | Marisa Merz | Mario Merz
Long Story Short, Museum Brandhorst, Munich, through January 2027
Marisa Merz La danza delle ore, Gallery of Modern and Contemporary Art (GAM), Turin; Fondazione Merz, Turin; Castello di Rivoli, Rivoli, October 29, 2026 to April 4, 2027
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Negativa, Metropol Kunstraum, Munich, September 24 to December 16, 2026
Richard Tuttle Almost Sky, with Jun Aoki, Tokyo Opera City Art Gallery, Tokyo, July 18 to September 23, 2026
Half-Light, Dia:Beacon, Dia Art Foundation, Beacon, long-term view
Sol LeWitt (1928–2007)
Open Structure, Amorepacific Museum of Art, Seoul, through February 28, 2027
A Wall Drawing Retrospective, Yale University Art Gallery and Williams College Museum of Art, November 16, 2008 – 2033
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