Fifteen of the gallery's artists are represented with works in this network. The network is what binds them, like the gallery that represents them. Fortunately, it is right here that things start getting more complex. There is no overall link in terms of the aims and objectives of style, tendency or topicality. Rather, one perceives a common mentality. This sustained and quite normative atmosphere is created by the spatial presence and dialogue between the works. The time horizon here is measured quite generously. The works were produced between 1968 and 2002, covering multiple generations of artists. Considering the age of the gallery – thirty-three years, after all – one can speak of substantial biography.
What furthermore links the artists is their approach to their works. The form is diverse and differentiated, in many cases defying assignation to a traditional category. In those instances where this is easily possible, one is nevertheless surprised by an intriguing ambivalence of time and style. Precision and indistinctness are the bookends for this engaging and provocative show, which could also serve as the blueprint for an ideal collection.
Richard Tuttle – Memento, June 28 to September 15, 2002.
Museu de Arte Contemporanea, Porto, Portugal:
Richard Tuttle – cENTER, June 27 to September 15, 2002.
Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain:
Glen Rubsamen is represented with an important group of works in a painting exhibition at the Kunsthalle de Vleeshal.
September 8 to November 10, 2002, de Vleeshal, Middelburg, NL.
Rita McBride 'General Growth', September 10 to October 15, 2002
Institut d'art contemporain, Villeurbanne, F
Joseph Egan, 'colours in the world', September 15 to Oktober 27, 2002.
Markgräfler Museum Müllheim, Opening/Vernissage: Sunday, September 15, 11.15 a.m.
June 28 to August 25, 2023
Publisher: ER Publishing, Edited by Molly Warnock
Joseph Egan and Anton Himstedt: Common Ground
Publisher: Josef Albers Museum Quadrat Bottrop, Ulrike Growe
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.